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Post by David J Howe on Sept 27, 2010 20:35:32 GMT 1
I quite enjoyed the first Paul Magrs series on audio - It felt like Doctor Who, and Tom Baker was obviously having a ball playing with the ideas presented by Magrs - intelligent alien hornet-like creatures, and a chase through time and space ... But with this first part of a new series, it all seems to have gone a little strange. Paul Magrs is a great writer - of this there is no doubt - but his forte is in presenting strange older people behaving oddly in familiar situations, and this is exactly what we get here. The Doctor and his housekeeper - Mrs Wibbsey - no doubt named so that Tom could get his vocal chords around her name as often as possible - embark on a quest through time. There's the Doctor visiting a jumble sale full of old grannies rooting through the clothing ... an elephant in the room ... something about a Roman mosaic of the Doctor ... and a plot-lite story which doesn't really seem to go anywhere. Baker doesn't sound totally *right* as the Doctor - he sounds like Tom Baker playing the character of the Doctor as he remembers it, all eccentric and loopy, with mad ideas coming from every angle. I keep half expecting the talking cabbage to appear as a companion at any point. It's enjoyable enough in its own way, but for me it feels more like Tom Baker appearing in some other Paul Magrs whimsy than a proper Doctor Who adventure. Maybe this will settle down a little as the episodes progress, and the story as a whole will enthral and entertain. Attachments:
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Post by Daveym on Sept 28, 2010 23:15:29 GMT 1
I'm terrible with Audio, I buy it occasionally but just don't listen to it, however seeing a cheap copy of the BBC audio of Pyramids of Mars read by Tom was totally irresistable for me That I will make time to listen to. Which I think is signalling the problem with the new Tom Audios here - we all (mostly) want Tom to do them, but what do we want?! That was the thing with Jon Pertwee's 90s plays, the storytelling style that defined his era is really hard to recapture in a modern context and it also hinges on the choice of companion and direction. By contrast Paul McGanns plays are pretty good, he has youth and energy and he's a modern enough creation that his Doctor fizzes with the storyline and can adapt & flow chameleon-like to whatever the story at hand requires rather than wrestling with it, as Tom appears to be doing...
I think the problem is to do with maybe his age and a lack of an anchor for his Doctor, if he had a Liz Sladen or Lalla Ward he'd be more anchored and have a plausible companion to bounce off but right now he's stuck in a bit of a limbo between Nostalgia curiosity and commercial sellout. They need to root him into a recognisable world. Right now!
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Post by aforth on Sept 29, 2010 9:37:34 GMT 1
I'm terrible with Audio, I buy it occasionally but just don't listen to it, however seeing a cheap copy of the BBC audio of Pyramids of Mars read by Tom was totally irresistable for me That I will make time to listen to. Which I think is signalling the problem with the new Tom Audios here - we all (mostly) want Tom to do them, but what do we want?! That was the thing with Jon Pertwee's 90s plays, the storytelling style that defined his era is really hard to recapture in a modern context and it also hinges on the choice of companion and direction. By contrast Paul McGanns plays are pretty good, he has youth and energy and he's a modern enough creation that his Doctor fizzes with the storyline and can adapt & flow chameleon-like to whatever the story at hand requires rather than wrestling with it, as Tom appears to be doing... I think the problem is to do with maybe his age and a lack of an anchor for his Doctor, if he had a Liz Sladen or Lalla Ward he'd be more anchored and have a plausible companion to bounce off but right now he's stuck in a bit of a limbo between Nostalgia curiosity and commercial sellout. They need to root him into a recognisable world. Right now! I agree, I think if you have to treat these things as a reinvention taking some of the spirit of the old. In reality the classic series was always reinventing itself every few years and more than once whilst Tom Baker was doing it. I enjoy them (or not) as a new take on the show by new creative people. I think one of the differences with Paul McGann was that, when the Big Finish audios began, it was only 5 years since the TV movie so McGann was still fresh. Plus the fact that his TV era was over in 90 mins meant there was far less baggage and no preconceptions about what an 8th doctor story should feel like. Anthony
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